Get all 3 Lost In Desolation releases available on Bandcamp and save 25%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of SERE, Mourning II, and Mourning I.
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Before My Hallowed End
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As Light Begins To Fade
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This Longing Silence
17:51
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Lost In Desolation TAS, Australia
Melancholic Music - Made in Tasmania
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supported by 6 fans who also own “Mourning I”
Black funeral doom. Very calm, melodic and touching. Something to wallow in. I like every single riff. Vague but fitting production. But it's not about pure heaviness anyway. Check out the end of the last song. I couldn't wait to get home to listen undividedly.
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No Morrow Shall Dawn
by THY LIGHT
supported by 6 fans who also own “Mourning I”
This album touches all the dark corners of the listener's soul and walks the listener through them. When all is dark, this music becomes a bond, a piece of art that provides warmth through emotional connection. When all is as it should be, this record remains a moving and powerful artistic journey. The songwriting is incredible and creates atmosphere like none other. The primality of the vocals reminds one of a lost wolf in a forest blizzard, or an urban equivalent. Like movies for your ears.
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A Portrait Of Sacrificial Scars
by Deadspace
supported by 6 fans who also own “Mourning I”
Powerful and full of atmosphere. Great album. The shrieks are painful, but well executed.
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Altäre der Vergänglichkeit
by Wrack
Crushing blackened doom from this German band that counterbalances blinding fury with moments of surprising, melancholy melody.
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In advance of their November tour, catch up on the latest shredder from atmospheric black metal band Ghost Bath.
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Tokyo band contrast black metal's brutal complexity with shoegaze's abyssal grandeur, resulting in an LP that feels crushing, yet infinite.
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Life has gone on long enough
by NONE
supported by 6 fans who also own “Mourning I”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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